Myanmar -An Illusion of Separation

When I come from a place that recognizes that we are all fundamentally the same, that we all experience the pleasure, pain, and suffering of the human condition, then I can appreciate we are all the same in our humanity. The separation we create in our consciousness is but an illusion.
I am the infant sleeping in the marketplace amid my mother's array of vegetables for sale.
I am the vendor squatting on a narrow wooden platform in the mud and slime of the meat market, selling hacked up pieces of raw chicken, frogs, and fish under the glaring hot sun.
I am the young boy looking wide-eyed into the windows of cars hoping to sell my jasmine flower necklaces to the drivers to dangle from their car mirror or for an offering to the Buddha.
I am the adolescent mother with a nursing babe at her breast seeking a handout, weaving my way between cars in the gridlocked intersection, hoping to curry the sympathy of those more fortunate.
I am the barefoot ox cart driver bumping along the deeply rutted, red-earthen roads with a load of manure to be spread for fertilizer in the fields.
I am the young woman, face delicately painted with yellow thanaka, jammed into a crowded bus, going off to work in the heat, with my tiffin pail prepared early in the morning.
I am the rice farmer at the back of a wooden plow prodding the oxen to till the fields for another planting.
I am the old woman stooped over in the rice paddy sewing rice in the muddy water.
I am the monk sitting before the Buddha sonorously chanting prayers at 5 am for peace and compassion.
I am the novice monk clanging my cymbal, alerting almsgivers to fill my bowl as I pass by their homes and businesses.
I am the temple tout peddling my wares to tourists, hoping their eyes glance upon something of interest so they will give me lucky money.
I am the young Muslim woman on the beach patiently trying to sell my sea pearl necklaces to the few tourists left in offseason.
I am a woman from the hill tribe wearing my tribal brass rings around my neck that illustrate my womanhood but also allow me to pose for tourists lucky money when I go into town.
I am a woman from the hill tribe wearing my tribal brass rings around my neck that illustrate my womanhood but also allow me to pose for tourists lucky money when I go into town.
I am the work-worn woman hoeing the potato fields, supported in my sweat-filled labor by the songs of my neighbors who toil with me.
I am the steely-nerved bus driver entrusted with my passengers on dirt roads rutted, rocky and treacherous, in a vehicle with threadbare tires, that lurches and groans between gears, delivering travelers with their baggage, goats, and chickens to their destination.
I am the smiling taxi driver lost in finding the destination that these foreigners wish to go to, but anxious to please.
I am the six-fingered waiter serving noodle soup to foreigners in the guest house, knowing they all will ask the same questions.
I am the old woman resting on a wooden platform, bones aching, eyesight blurred, watching the daily cycle of life unfold in her family's multi-generational bamboo hut.
I am the young girl at the temple seeking a small kyat offering for a plastic bag the foreigner will use for the requisite removal of shoes before entering the temple.
I am the gleeful boy, cheeks aglow with joy, blowing up a balloon the foreigner gave me.
I am the fisherman rowing with my foot and leg wrapped around the wooden oar on my shallow teak boat hoping for a good catch in my nets today.
I am the young woman sweating with dozens of others in the 105-degree sauna-like heat of a dark room with plastic shielding out any moisture, pounding gold leaf to wafer thinness for temple offerings, hour upon hour, for a pittance each day.

I am the aged restaurant owner anxious but afraid to speak out against the government repression to these tourists who inquire, in case a spy is around that will turn me in.
I am the tour guide with enough pidgin English to show the foreigners all the temples, Buddhas and attractions of my richly diverse country.
I am the tender of the huge yellow boa constrictor kept in the temple for show and offerings.
I am the young artist carving a life-size stone Buddha in the dust and heat, my hammer and chisel delicately creating the peacefulness and serenity of his enlightened face.
I am the supplicant kneeling before the Buddha, making an offering while praying that I can feed my family.
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